![]() ![]() Use a “native” lens if possible (and avoid adaptors and tubes). Not only will a modern macro lens produce sharper results, but the newer AR coatings decrease the chance of lens flare during capture (lens flare can lead to strange colors and casts). Not only will a good macro lens produce great edge-to-edge sharpness of your negative scan, but it will also prevent some of the most common issues with DSLR scanning, like orange blotches resulting from lens flare during capture. The lens is an incredibly important part of the DSLR/Mirrorless scanning process. Having the right equipment plays a key role in getting great results with digital camera scans! There are 4 basics components to a good DSLR film scanning setup… ![]() While DSLR (or Mirrorless) film scanning holds many promising results – like RAW capture, faster capture times, and sharpness that rivals $10,000+ drum scanners – there are many potential stumbling blocks along the way that could prevent you from getting the results you want from your film negatives. Scanning your film negatives with a digital camera can be an incredibly rewarding – or incredibly frustrating – process, largely depending on your setup and know-how. The input must be good for the output to be good. #SILVERFAST PLUSTEK MANUAL PRO#For Negative Lab Pro to work properly, it’s important that you have good, evenly-lit, properly-exposed scans of your negative film. ![]()
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